Literature means matchless appeal to human intellect. Yes, the power of suggestiveness of literary works always remains crystal clear. Its enticing call to the human concept, passion, and emotion is unavoidable or, more precisely, inexorable.
The redolent power of literature doesn’t appear significant in what it says. Instead, it is about what it ultimately awakens in the human mind because that finally arouses its charm. For instance, in Shakespeare’s Macbeth or William Wordsworth’s The Solitary Reaper, the authors unlock feelings in the words of every creation.
The witches’ words in Macbeth depict how destiny gets prepared much before a human can perceive it. Here, William Shakespeare makes witches reveal an appealing notion that humans are creatures made of both good and bad. Every word of these sorceresses uncoils a sense of restlessness. Readers find no choice but to search desperately from the beginning of the play to understand whether the witches have rightly foretold the fate of Macbeth. In short, the English playwright’s suggestive or captivating potential is unmatchable.
Likewise, in Paradise Lost, eminent poet John Milton’s most discussed character Satan unfolds an appealing touch to human imagination. When Satan utters ‘Myself am Hell,’ it, in reality, awakens curiosity in human instinct. The fascinating part is Milton does not assert any fact. He instead uncovers a world of notions mingled with speculation, anxiety, and feelings. In a word, the English poet opens the door that directs imagination to enter into a world of new thinking. Yes, a world constituting curiosity, anxiousness, interest, and attention.
Moreover, this power of suggestiveness in Milton’s literary creation compels human feelings to think intensely about a world that always remains visible in the subconscious mind. The utterance of Satan induces imagining power in a metaphorical world. The physical description of the said Devil creates a curious vision. Yes, a perception that helps develop the human insight profoundly regrading evil inclination. A completely unknown yet to some extent known entity of the demon through imagination describes how the engaging strength of literature emerges entirely magical to the human sense.
Several famous writers at different times draw excellent descriptions of specific things through words. And the essential part is most of these descriptions seem alluring to human consciousness. On the one hand, these literary innovations show how strong the power of suggestiveness can be. On the other hand, they shape literature with the baton of persuasion.
Sometimes this persuading remains so convincing that it makes humans truant with the real world. Furthermore, humans prefer to live in the arena of fancy that provides pleasure. And this reality shows that the purpose of literature as art is not to direct or instruct but to deliver delight.
Moreover, because of this delight, readers feel the urge to build their own realm of emotions, feelings, and imagination. It is that charm that helps shape the soul with a touch of newness. And that newness empowers literary works with the power of suggestiveness. In short, the appealing potential of literature is undoubtedly enticing.
