Readers worldwide accept John Galsworthy as an author with exceptionally unique traits that contributed hugely to enriching modern writing. His best creations deal with some explicit problems in his extraordinarily crafted plays.
John Galsworthy‘s plays uncover various issues dominating society. His dramas unlock and address concerns like labor disputes, solitary confinement, law and administration, and marriage and relationship-related problems.
The best part of his plays is they don’t depict and relate to one individual’s problems associated with society. Instead, all his dramas portray individuals. Yes, they represent a mass appeal concerning varied societal aspects. And the mass reaction appears as a protest in the shape of responses against the brutal social orders.
In truth, the way of mass representation through the most appealing content still gets considered Galsworthy’s matchless contribution to the development and growth of the Social Drama. Simultaneously this unparalleled offering has unsealed and widened the scope of extraordinary writing.
Like famous Irish playwright George Bernard Shaw, John Galsworthy as an author too voices as many points as possible of a specific view linked to a problem. However, it is indeed true that he never advocates any practical reform of these social ills. But, one can feel the presence of continual suggestion in his plays as a panacea for those bad or, in other words, evils that plague society.
In a word, his solutions are ethical, not political. For the English author Galsworthy, human society defines the world’s stage. In addition, the innocent inhabitants and the perpetrators both are the actors in this stage. And the leading cause behind evils in this society is a dearth of sympathy in some certain human minds, including the perpetrators.
The English writer’s words show that almost all inhumane-minded people possess a narrow outlook on everything. Their unsympathetic, dull-witted mentality provokes them to view others in such a way that it results in havoc, causing misery, anxiety, and troubles. Nonetheless, Galsworthy depicts all characters, the inhumane and the good ones, with precise meanings.
The good characters, for sure, emerge as well-meaning humans having the broader outlooks on life. Their appearances in the plays act as instrumental in marking and separating one class from another. At the same time, with the author’s realistic touch, some of these characters sometimes behave with estrangement as if lacking a definite understanding.
Now, the creativity, as mentioned above, of John Galsworthy as an author widens his world of extraordinary writing. His power of realistic portrayal of both humans and society helps exceed the limitation of being a dramatist. His incomparable potential for imagination and innovation entitles him to the dramatist of ideas.
There is no denying that his creations portray social problems that are either suggested or written on the surface of societal reality. It is the tug of war between natural human instincts, perceptions about human class, and the most crucial moral prejudices. This struggle unveils other separate identities for John Galsworthy.
Yes, apart from being a dramatist, Galsworthy emerges as an ironist and a satirist. Also, his popular dramas, like The Forest and The Silver Box, uncover some different aspects of social injustices.
The Forest displays how swindling in important financial transactions takes place in the current civilized world through different methods. On the other hand, the Silver Box shows how law accommodates the rich at the cost of the poor. No doubt, it is the skill of John Galsworthy as an author that inspires him to pen such timeless pieces. His unrivaled quality as a writer empowers him to emerge as one of the best contributors to stunning writing.
