Dublin life

Dublin Life As Concisely Portrayed By James Joyce In His Short Story Araby

James Joyce Literary
Dublin life
Dublin Life, Araby, James Joyce

Passionate readers of short stories consider James Joyce’s Araby a pure autobiographical sketch. And, in reality, it remains so. The tale indeed reveals the Dublin life during the author’s boyhood days. It represents the capital of the Republic of Ireland in a concise but meaningful realistic detail.

Yes, an apt and precise realism in brief detail is evident in the famous short story Araby. It reflects a young heart’s restless quest for beauty that finally ends in frustration. The plot appears opposite to the ideal setting of regular short stories. Instead, it looks symbolically more significant while establishing an autobiographical background in the entire scene.

Almost every portion of the realistic details unfolds a profound significance and simultaneously uncovers symbolically deep meaning. Like, the author defined the surroundings of Dublin as bleak and pale. In truth, dull, drab environs identified that neighbourhood where the author lived. And a profound symbolism hid in the said bleak surroundings. It signified a frustrated mind desperately searching for beauty in a repulsive state.

To describe, in detail, the condition of the adjoining areas, the Irish author even mentioned the renowned North Richmond Street in the short story. James Joyce explained how silent and blind the street remained most of the time. It only became noisy immediately after the school hours of the famous Christian Brothers’ School.

The writer also stated in Araby how a two-story deserted house stood at the North Richmond Street’s end. Nonetheless, the house remained detached from other neighbouring residences. In addition, all other houses, standing on each side of the street, looked dim, pale, and static even after being occupied and inhabited by their inhabitants.

In short, the street emerged crowded with a vast number of houses. The area remained so congested that the sky got hardly visible. Evening landed much early compared to other sites, especially during the wintry days when daylight remained a friend for a minimal period regularly.

Inhabitants enjoyed rare chances to cherish a full bloom sun. A constant twilight-bathed violet sky survived with a mist of light darkness as the unnoticed sun emerged invisible all the time. The inmates of this street witnessed a setting sun during most of the daytime. And nearly all street lamps, too, stood weakly gleaming with faint light rays.

The vivid image of Dublin life during James Joyce’s boyhood days unquestionably depicts an actual state of the dense or congested locality of the metropolis. Interestingly, the author recounts how this specific state of Dublin and the neighbouring areas impacted the scope of playing.  

The dreary, dim, bleak environment was an inseparable accompany even during the play hours during the day. And due to congestion, little boys didn’t have proper space for outdoor gaming. They used to choose untidy muddy land for playing their games. And when they ended their games and started returning home, the all-day pale, dim and fading daylight became vanished.

 Utter darkness surrounded the entire area. Light coming out from the kitchen windows of the locality lit the streets and provided those boys safe passages to their homes. A curious light and shadow game frequently took place when boys tried to hide under the house shadows to avoid the scolding of their guardians. In truth, James Joyce has provided a true-to-life portrayal of the Dublin life in Araby.

Now, the vivid depiction of a dense metropolis life was, in reality, the manifestation of the real-life boyhood experience of the eminent Irish writer. And most importantly, nothing thrilling or romantic was present in it. It was a natural monotonous city life that witnessed dull, gloomy, pale, deserted, shadowy dark atmosphere all over.

Through the portrayal of this gloomy background, James Joyce represents the contrast between a daily insipid Dublin life and a young mind’s yearning for romantic beauty. Also, the crowded life of the tedious, unexciting Irish capital denotes how everyday routine-based machine-like journey ultimately represses the desire for a more blooming and enjoyable life.  

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